The Balky Mule


Currently resident in Bristol, The Balky Mule is the alias of Sam Jones, a highly talented, self-taught multi-instrumentalist, who over the past decade or more has been a key member of the vibrant Bristol post-rock scene, playing in numerous bands, both live or on records, including Movietone and Crescent (alongside his bandleader brother, Matt), Flying Saucer Attack, Minotaur Shock, and Third Eye Foundation. During this time, The Balky Mulesâ?? home-recorded releases were confined to a handful of compilation tracks, remixes and tapes swapped among friends.

For his first solo set back in 2000, Sam was booked to open for Pram at the legendary Cube Cinema in Bristol. In a worrying stroke of luck for a first gig, the venue burned down the night before, thus cancelling his debut. The Cube recovered from the damage and the show with Pram was later rescheduled, with a line-up extended to include his brother Matt and Kate from Crescent and Movietone. Sporadic live shows in the years since veered between analogue synth solos and songs sung to the accompaniment of Tom Copsâ?? (of My Two Toms) banjo, plotting a course between electronic instrumentals and acoustic songs. Other treasured helpers have included Francois Marry (Of Francois & The Atlas Mountains), George McKenzie (Crescent / Movietone), Naoto Kawate (Maher Shalal Hash Baz), Peter Emptage and John Chantler.

The name The Balky Mule encompasses all of Samâ??s varied recordings over this ten year period. Prior to his signing to FatCat, the majority of his output had been CD-Rs burnt on request and tapes swapped among friends, although he also recorded a handful of remixes (of Pram and Vase) and songs for compilations, including one of his first ever tracks making an appearance on FatCatâ??s 2001 compilation, â??No watches. No mapsâ??, which comprised material sent in to the label as demos.

The Balky Mule's debut self-titled album was released in a very limited edition on Sam and his brother's own Archipelago label in 2000. Self-recorded either side of a move between the UK and Australia, Samâ??s second full-length and debut FatCat album â??The Length of the Railâ?? was released in March 2009, backed with a single ('Wireless') and extensive UK tour dates. A breath of fresh air, the charming, unique album married experimentation on outmoded electronics with Sam's wry, impressionistic observations delivered with an utterly English tone (think Syd Barrett / Ray Davies). It was described by Tiny MixTapes as a "timeless little beauty of an album."


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